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orn in Harare in 1964, Colleen Madamombe holds a somewhat inspirational role within the stone sculpture movement as she is one of only a handful of women sculptors in Zimbabwe, and often considered the best. Her work adds a new dimension to the complexity of Zimbabwean stone sculpture through her commitment to a theme. She uses her technical and artistic skills to highlight the special qualities of Shona women, as well as to communicate the inequities that affect their lives and status.Her subject matter is deeply rooted in the traditional role of Shona women. Her powerful images, their energy and movement, the contrast of the rough and polished parts of the stone, make Colleen
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